References
Text References
[Book]
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Stanley, Amy., & Sommer, Matthew. H. (2012). Selling Women: Prostitution, Markets, and the Household in Early Modern Japan University of California Press.
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Tanaka, Yuko (2021). "遊郭と日本人" 講談社
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Tsuji, Hirokazu (2012) 中世(遊女)-生業と身分 京都大学学術出版会
[Book chapter]
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Sakomura, Tomoko (2013). Japan: 1600-1750. History Of Design: Decorative Arts And Material Culture, 1400-2000. 165-173. Yale University Press
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Suzuki, Hideaki, & Yokoyama, Yuriko. (2016). The Yūjo Release Act as Emancipation of Slaves in Mid- 19th-century Japan. In Abolitions as a global experience. essay, NUS Press.
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Takagi, Madoka (2005). Social position of visitors to Yoshiwara: Focusing on Yūjo hyoban-ki as main historical materials.Jomin Bunka, 38, 154-180.
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Takagi, Madoka (2018). Regulation of Visitors in the Yoshiwara Yukaku (Red Light District) : Focusing on the Relationship between the Yoshiwara and Authorities in the Edo Period. 成城文藝, 243, 1-26.
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Yokoyama, Yuriko (2018). "江戸東京の明治維新” 第四章 遊郭の明治維新 岩波書店
[Journal]
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Berry, Paul (2004). Rethinking "Shunga": The Interpretation of Sexual Imagery of the Edo Period. Archives of Asian Art, 54, 7-22.
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Ellis, James (2019), The Floating World of Ukiyo-e Prints: Images of a Japanese Counterculture. In: Journal of Social and Political Sciences, Vol.2, No.3, 701-718.
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Hibiya, Taketoshi (2009). Study on Brothels of the Late Edo Period through Depicted Courtesans and Yoshiwara saiken—a case study of Izumi-ya Heiza’emon at Edo-cho 1-chome. Ukiyo-e Art. 158. 45-67.
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Suehisa, Mariko. & Mitsui, Hideki (2005) The Ornamental Designs of the Kosode Worn by Yūjo in the Genre Paintings of the Early Edo Period. The annual conference of JSSD, 52
[Website]
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Acar, Adam (2021, March 13). Are Geisha Courtesans? Oiran vs Geisha and Prostitute. Retrieved from https://mai-ko.com/travel/culture-in-japan/geisha/are-geisha-courtesans-geisha-vs-oiran-tayu/
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Kurihara, Juju (2020, Feburary 20). Yujo, Prostitutes were Fashion Icons in Edo Perido -Hairstyle-, Iromegane, Retrieved from http://www.iromegane.com/society/yujo-prostitutes-were-fashion-icons-in-edo-perido-hairstyle/
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Why are tattoos considered a taboo in Japan? (2018, November 19). IkedanNippon. Retrieved from https://press.ikidane-nippon.com/en/a00232/
Photo References
[Home]
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『古代江戸繪集『新よし原尾州樓かり』歌川国貞 (1861)
https://www.ndl.go.jp/landmarks/details/detail274.html
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『美南見十二候 九月(漁火)』鳥居 清長(1784)
http://111.89.176.196/collection_img/collection_02-04.html
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"Erotic Print" 喜多川歌麿(1800s)
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『遊女禿図』懐月堂安度(1704-1716)
https://webarchives.tnm.jp/imgsearch/show/C0001682
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『浮絵新吉原大門口仲之町』奥村政信(18th century)
https://webarchives.tnm.jp/imgsearch/show/C0008290
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『正月遊女と禿図』里勢 (1603-1868)
https://webarchives.tnm.jp/imgsearch/show/C0042091
[Introduction]
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『東京名所新吉原五丁町弥生花盛全図』歌川広重 (1844)
https://museumcollection.tokyo/works/6245002/
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『青楼絵抄年中行事 夜見世の図』十返舎一九・喜多川歌麿 (1804)
https://dl.ndl.go.jp/info:ndljp/pid/1287535
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『東都三十六景 吉原仲之町』二代 歌川広重 (1861,1862)
https://dl.ndl.go.jp/info:ndljp/pid/1304666
[What is Yūjo]
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『三都太夫揃』鈴木春信 (1764-1772)
https://webarchives.tnm.jp/imgsearch/show/C0006645
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『遊女道中図』烏居清元(1603-1868)
https://webarchives.tnm.jp/imgsearch/show/C0013636
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『万治高尾 古今名婦伝』 豊国 (1859)
https://dl.ndl.go.jp/info:ndljp/pid/1304200
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『霜釖曽根崎心中 天満屋おはつ・平野屋徳兵衛』歌川豊国 (1849)
https://ja.ukiyo-e.org/image/waseda/006-2728
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『三幅神吉原通い図巻 全盛季春遊戯』鳥文斎栄之 (early 19th century)
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『吉原大門口松の内迎い駕篭』柳々居辰斎 (early 19th century)
https://webarchives.tnm.jp/imgsearch/show/C0006434
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『「吾妻源氏 辰美の秋月』国貞画 (1856)
https://www.syokubunka.or.jp/gallery/nishikie/detail/post156.html
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『今様美人揃 梅川楼上みな吉』 歌川国貞 (1863)
https://ja.ukiyo-e.org/image/metro/0797-C035-004
[Yūjo and Art]
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『五人美人愛敬競 松葉屋喜瀬川』喜多川歌麿 (1795~96)
https://otakinen-museum.note.jp/n/neae8607b2f17?magazine_key=mc46430710d4c
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『風俗三十二相 いたさう 寛政年間女郎の風俗』月岡芳年 (1888)
https://museumcollection.tokyo/works/6239625/
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『青楼十二時』喜多川歌麿 (late 18th century)
https://dcollections.lib.keio.ac.jp/ja/ukiyoe/0908
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『春画 横大判』渓斎英泉 (1816~1822)
https://www.europeana.eu/en/item/2048429/item_6DQY5VKDDUDTB7K5FIZM3AB4HY76QF36
[Their disappearance]
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『江戸火事図巻』 田代幸春 (1814)